An addition to the BHT, known as “The Lord’s Prayer.” (The painting above is “In the Wilderness” (2003), by Ron DiCianni.) Continue reading “Matthew 6:9-13 BHT, The Lord’s Prayer”
It seems to me that many people consider meditation to involve elaborate fantasies, imaginings, and visioning in the mind. This seems to be facilitated and encouraged by many guided meditations. I perceive that these kinds of meditation can have many positive benefits in creative pursuits, visualization, and problem solving, to go on adventures and vision quests in the mind. However, I think meditation can offer much more than this. Continue reading “A Word about Guided Meditations”
I don’t think the narrative is literally true, no. But I do perceive it to be deeply, absolutely, and universally Real. Let me explain.
We often progress through faith in stages. The American theologian James W. Fowler outlined these in a well-known book, Stages of Faith.
Mysticism seems to be largely misunderstood.
It seems to be either thought of as a kind of dark, ethereal and vague mystery that can never be really known, or as an impractical and vain lofty exercise that can never truly be achieved, at least in this life.
For me, it is neither. Continue reading “Mysticism is Experience of the Real”
There is a term that the scriptures use to refer to something in us that separates us from God. It is called the “natural man,” or at times the “carnal mind.” What is this? And how can a correct understanding of it help us commune with and become one with God? Continue reading “What is the “Natural Man”?”
The Romanian-French playwright Eugène Ionesco (1909-1994) described the following experience he once had:
On a May morning, just before noon, a day that seemed full of sap, in a leafy park where the light streamed down, white, blue green: that day it all began with a senseless, inexplicable joy that I have never again felt so concretely, so carnally, so obviously a joie de vivre sustained by an indescribable astonishment at being alive. Continue reading “Eugène Ionesco’s “First Vision” Account”